Global Telelanguage Resources -

In Other Words: "Andals"

aklobucar — Sat, 06 Feb 2010 15:13:40 -0800

Andals - 1. Devices that take time according to the rules of instrumentalities, esp. where language is inferred or known to break apart, much like a moving remark, a joint conundrum. 2. Agreements under pressure to include amendments. c.f. "Life Cycles in Andals: How to Consist" by French Mars: "Shadows emerge from the soil as mechanical devices, consisting of andals, egged ever forward. I've tasted the cast of spoiled roots. Without andals, the cast resisted and died out by Spring. My eggs worked at first, but after a week, I chose to be more mechanical; edges pupate in the soil. See what emerges."

In Other Words: "Cene"

aklobucar — Sat, 30 Jan 2010 17:33:39 -0800

Cene - [PRFX (Grk.) cen: empty, void] Inspiring a form of learning, often or despite ideas concerning legal rights. Appears first in "Life Cycles in Cene: How to Base" (1789) by GRRRR GRRRR GRRRR Mars: "Perceptions emerge from the soil as legal rights. I'm base and Cene is base. Your eggs are like your roots: leaving Cene, they die out by Spring. My eggs are base after a week. legal rights pupate in the soil. See what emerges."

Not Cene; Ob-Cene - eating Scallion on Everything Bagel. Where I found the song "White Ladder" by David Gray. As in to see everything; to understand nothing. Or else. Bee hovers, discovers Me - legs heavy with pollen.

Location:Summit St,Newark,United States

Mobile me

aklobucar — Mon, 18 Jan 2010 14:36:49 -0800

Big world.

Location:Broad St,Newark,United States

CultureNet: A Collection of Digital Curiosities: Electronic Literature Conference

aklobucar — Fri, 06 Jun 2008 12:50:38 -0700

CultureNet: A Collection of Digital Curiosities: Electronic Literature Conference

Electronic Literature Conference

Andrew Klobucar and I have just come back from the Electronic Literature Organization
conference in Vancouver WA this past weekend where 120 artists and
scholars met to present and talk about electronic literature. Hosted by

Waiting for Garfield

aklobucar — Sun, 13 Apr 2008 10:34:21 -0700

Of course, we are not wondering why that plunger is on Jon's face; more to the point, our surprise actually derives from our wondering why we are not wondering why that plunger is on Jon's face, and in that question lies the particular anxiety currently inscribing our interactions, both on-screen and off-screen, today.

From: garfield minus garfield

NEGATION RELATED TO ALTERITY IN CYBERSPACE AND MATERIAL LIFE | Tributaries & Text-Fed Streams

aklobucar — Wed, 09 Apr 2008 10:45:41 -0700

THAT “there’s no other to cyberspace, no air anywhere”

THAT “the body appears to breath, its organs duplicated everywhere, laminated across the constructed world”

THAT “the invisible as the defined excluded, ‘excluded’ from the field of visibility and ‘defined’ as excluded”

THAT “there’s a mass psychosis underway, as if being offline meant you’re somehow deficient, in education, worldliness, style, income, and geographic location”

Babble Fish of the Sea by Babble Brook

aklobucar — Thu, 13 Mar 2008 20:14:27 -0800

the animals already know by instinct we’re not comfortably at home in our translated world. Rilke, Duino Elegies, First Elegy For a dip in a new streaming digital project, go to Tributaries at TCR.

Screen Texts: Essays in Digital Literary Criticism

aklobucar — Wed, 05 Dec 2007 23:17:02 -0800

Do new modes of literary and cultural production require new methods of analysis and assessment? With this question in mind, the following monthly column aims to present and discuss important changes in the practice of literary criticism and research derived from developments in digital technology in the Humanities. The practices and theories examined will be assessed in the interest of designing new research paradigms for literary studies that are:

more information-centred, as they work at a higher level of abstraction
interactive with the scholar, using proactive software with respect to the literary work
multifunctional and integrated

To read an object digitally or in an information-centred manner means more than recognising its format as binary encrypted pixels. The digital text demonstrates an entirely transformed relationship between texts. Where traditional print archives present networked information as a more or less centralised system composed of independent sources of content, the digital text suggests a more dynamic, inconsistent arrangement, where the meaning of any single “node” of content literally depends upon the connections informing it. Hence, interpreting a text digitally becomes at a fundamental level an exercise in data placement or mapping, where various formatted components of information within texts can be configured and reconfigured according to pre-determined frameworks of meaning – for example, cultural, semantic, grammatical, etc.

Waste

aklobucar — Sun, 19 Aug 2007 17:56:50 -0700

progress_2 on Flickr - Photo Sharing!

Progress

aklobucar — Sun, 12 Aug 2007 15:43:34 -0700

progress on Flickr - Photo Sharing!